The Ordeal of Magick
Magickal Ordeal
Learn of the spirit that goes with burdens that have not honour, for 'tis the spirit that stooped the shoulders and not the weight. Armour is heavy, yet it is a proud burden and a man stands upright in it. Limiting and constraining any of the senses serves to increase the concentration of another. Shutting the eyes aids the hearing. So the binding of the Initiate's hands increases the mental perception, while the scourge increased the inner vision. So the Initiate goes through it proudly, like a princess, knowing it but serves to increase her glory.
But this can only be done by the aid of another intelligence and in a circle, to prevent the power thus generated being lost. Priests attempt to do the same with their scourging and mortifications of the flesh. But lacking the aid of bonds and their attention being distracted by their scourging themselves and what little power they do produce being dissipated, as they do not usually work within a circle, it is little wonder that they oft fail. Monks and hermits do better, as they are apt to work in tiny cells and caves, which in some ways act as circles. The Knights of the Temple, who used mutually to scourge each other in an octagon, did better still; but they apparently did not know the virtue of bonds and did evil, man to man.
But perhaps some did know. What of the Church's charge that they wore girdles or cords?
On Raising Power
Power is latent in the body and may be drawn out and used in various ways by the skilled. But unless confined in a circle it will be swiftly dissipated. Hence the importance of a properly constructed circle. Power seems to exude from the body via the skin and possibly from the orifices of the body; hence you should be properly prepared. The slightest dirt spoils everything, which shows the importance of thorough cleanliness.
The attitude of mind has great effect, so only work with a spirit of reverence. A little wine taken and repeated during the ceremony, if necessary, helps to produce the power. Other strong drinks or drugs may be used, but it is necessary to be very moderate, as if you are confused, even slightly, you cannot control the power you evoke.
The simplest way is by dancing and singing monotonous chants, slowly at first and gradually quickening the tempo until giddiness ensues. Then the calls may be used, or even wild and meaningful shrieking produces power. But this method inflames the mind and renders it difficult to control the power, though control may be gained through practice. The scourge is a far better way, for it stimulates and excites both body and soul, yet one easily retains control.
The Great Rite is far the best. It releases enormous power, but the conditions and circumstances make it difficult for the mind to maintain control at first. It is again a matter of practice and the natural strength of the operator's will and in a lesser degree those of his assistants. If, as of old, there were many trained assistants present and all wills properly attuned, wonders occur.
Sorcerers chiefly used the blood sacrifice; and while we hold this to be evil we cannot deny that this method is very efficient. Power flashes forth from newly shed blood, instead of slowly exuding as by our method. The victim's terror and anguish add keenness and quite a small animal can yield enormous power. The great difficulty is in the human mind controlling the power of the lower animal mind. But sorcerers claim they have methods for effecting this and that the difficulty disappears the higher the animal used and when the victim is human disappears entirely. (The practice is an abomination, but it is so.)
Priests know this well; and by their auto-da-fe's, with the victim's pain and terror (the fires acting much the same as circles), obtained enormous power.
Of old the Flagellants certainly evoked power, but through not being confined by a circle most was lost. The amount of power raised was so great and continuous that anyone with knowledge could direct and use it; and it is most probable that the classical and heathen sacrifices were used in the same way. There are whispers that when the human victim was a willing sacrifice, with his mind directed on the Great Work and with highly skilled assistants, wonders ensued - but of this I would not speak.
Astral Projection
'Tis not wise to strive to get out of your body until you have thoroughly gained the Sight. The same ritual as to gain the Sight may be used, but have a comfortable couch. Kneel so that you have your thigh, belly and chest well supported, the arms strained forward and bound one on each side, so that there is a decided feeling of being pulled forward. As the trance is induced, you should feel a striving to push yourself out of the top of your head. The scourge should be given a dragging action, as if to drive or drag you out. Both wills should be thoroughly in tune, keeping a constant and equal strain. When trance comes, your tutor may help you by softly calling your name. You will probably feel yourself drawn out of your body as if through a narrow opening, and find yourself standing beside your tutor, looking at the body on the couch. Strive to communicate with your tutor first; if they have the Sight they will probably see you. Go not far afield at first, and 'tis better to have one who is used to leaving the body with you.
A note: When, having succeeded in leaving the body, you desire to return, in order to cause the spirit body and the material body to coincide, THINK OF YOUR FEET. This will cause the return to take place.
Second Sight
Sight cometh to different people in divers ways; 'tis seldom it cometh naturally, but it can be induced in many ways. Deep and prolonged meditation may do it, but only if you are a natural, and usually prolonged fasting is necessary. Of old the monks and nuns obtained visions by long vigils, combined with fasting and flagellation till blood came; other mortifications of the flesh were practiced which resulted in visions.
In the East 'tis tried with various tortures whilst sitting in a cramped position, which retarded the flow of blood; these tortures, long and continued, gave good results.
In the Art, we are taught an easier way, that is, to intensify the imagination, at the same time controlling the blood supply, and this may best be done by using the ritual.
Incense is good to propitiate the spirits, also to induce relaxation to the aspirant and to help build up the atmosphere which is necessary for suggestibility. Myrrh, Gum Mastic, Aromatic Rush Roots, Cinnamon Bark, Musk, Juniper, Sandalwood and Ambergris, in combination, are all good, but the best of all is Patchouli.
The circle being formed, and everything properly prepared, the aspirant should first bind and take his tutor into the circle, invoke suitable spirits for the operation, dance round till giddy, meanwhile invoking and announcing the object of the work, then he should use the flagellum. Then the tutor should in turn bind the aspirant - but very lightly, so as not to cause discomfort - but enough to retard the blood slightly. Again they should dance round, then at the Altar the tutor should use the flagellum with light, steady, slow and monotonous strokes. It is very important that the pupil should see the strokes coming, as this has the effect of passing, and helps greatly to stimulate the imagination. It is important that the strokes be not hard, the object being to do no more than draw the blood to that part and away from the brain; this, with the light binding, slowing down the circulation of the blood, and the passes, soon induce a drowsy stupor. The tutor should watch for this, and as soon as the aspirant speaks or sleeps the flagellum should cease. The tutor should also watch that the pupil becomes not cold, and if the pupil struggles or seems distressed he should at once be awakened.
Be not discouraged if no results come at the first experiment - results usually occur after two or three attempts. It will be found that after two or three attempts or experiments results will come, and soon more quickly; also soon much of the ritual may be shortened, but never forget to invoke the Goddess or to form the circle, and for good results 'tis ever better to do too much ritual rather than do too little at first.
Remember, the circle properly constructed is ever necessary to prevent the power released being dissipated; it is also a barrier against any disturbing or mischievous forces; for to obtain good results you must be free from all disturbances.
Remember, darkness, points of light gleaming amid the surrounding dark, incense and the steady passes by a white arm, are not as stage effects but rather they are mechanical instruments which serve to start the suggestion which later unlocks the knowledge that it is possible to obtain the divine ecstasy, and so attain to knowledge and communication with the Divine Goddess. When once you have attained this, ritual is needless, as you may attain the state of ecstasy at will, but 'til then or, if having obtained or attained it yourself, you wish to bring a companion to that state of joy, ritual is best.
Instructions To Note
A note upon the ritual of the Wine and Cakes. It is said that in olden days ale or mead was often used instead of wine. It is said that spirits or anything can be used, so long as it has life (i.e. has a kick).
All are brothers and sisters, for this reason; that even the High Priestess must submit to the scourge.
The only exception to the rule that a man only be initiated by a woman and a woman by a man, is that a mother may initiate her daughter and a father his son, because they are part of themselves.
A woman may impersonate either the God or the Goddess, but a man may only impersonate the God.
Ever remember, if tempted to admit or boast of belonging to the cult, you may be endangering your brothers and sisters. For though now the fires of persecution have died down, who knows when they may be revived.
Many priests have knowledge of our secrets and they full well know that much religious bigotry has died down or calmed down, that many people would wish to join our cult if the truth were known of its joys and the churches would lose power. So if we take many recruits we may loose the fires of persecution against us again. So ever keep the secrets.
Those taking part in a rite must know exactly what results they wish to attain and must keep all their minds firmly fixed on the desired result, without wavering.
Witches' Round
(Old Dance)
Nowadays used to raise the Cone of Power, this old dance may be used alone or in full coven. It is better if the Drawing Down of the Moon has gone before, for then the Gods shall fuse with the energies raised in the ecstasy of the dance and thereby accomplish your will.
All join hands to form a ring about the HPS. Heads turned left and eyes tightly shut, will a flowing river of power about the circle, moving from one through the next, from man to woman and woman to man, about the circle without beginning or end, gathering strength as it goes.
When the circle is set thus, in motionless intensity, the HPS begins to clap to the rhythm of the heart-beat. And upon this signal all open their eyes and step Widdershins; slowly at first but with a quickening step as the HPS quickens the beat of her clap, until three rounds are complete. And this must be accomplished smoothly and without awkwardness.
Now change direction and dance deosil to the Witches' Rune or some other tune; slowly at first, but faster and ever faster until, the Power being at its peak, the HPS shall release it crying: Down !, whereupon all shall fall to the ground to sit in a circle facing in. Thus also was the Cone of Power raised of yore.
Meeting Dance
The Maiden should lead. A man should place both hands on her waist, standing behind her, and alternate men and women do the same, the Maiden leading and they dance following her. She at last leads them into a right-hand spiral. When the center is reached (and this had better be marked by a stone) she suddenly turns round and dances back, kissing each man as she comes to him. All men and women turn likewise and dance back, men kissing women and women kissing men. All in time to music, it is a merry game, but must be practiced to be done well. Note, the musician should watch the dancers and make the music fast or slow as is best. For the beginners it should be slow, or there will be confusion. It is most excellent to get people to know each other at big gatherings.
Broom Song
Besom, besom long and lithe
made from ash and willow withe
Tied with thongs of willow bark
in running stream at moonset dark.
With a pentagram indighted
as the ritual fire is lighted;
Sweep ye circle, deosil,
Sweep out evil, sweep out ill,
Make the round of the ground
where we do the Lady's will.
Besom, besom, Lady's broom
Sweep out darkness, sweep out doom
Rid ye Lady's hallowed ground
Of demons, imps and Hell's red hound;
Then set ye down on Her green earth
By running stream or Mistress' hearth,
'Till called once more on Sabbath night
Invocation to the Horned God
Invocation to the Horned God
"By the flame that burneth bright,
O Horned One!
We call thy name into the night,
O Ancient One!
Thee we invoke by the Moon-led Sea,
by the standing stone and the twisted tree.
Thee we invoke, where gather Thine own.
By the nameless shore, forgotten and lone.
Come where the round of the dance is trod,
Horn and Hoof of the Goat Foot God!
By moonlit meadow, on dusky hill,
where the haunted wood is hushed and still,
come to the charm of the chanted prayer,
As the Moon bewitches the midnight air.
Evoke thy powers that potent bide
in shining stream and the secret tide,
in fiery flame by starlight pale,
in shadowy host that rides the gale.
And by the fern drakes, faerie haunted,
of forests wild and woods enchanted.
Come, O Come!
To the heartbeat's drum!
Come to us who gather below,
when the broad white Moon is climbing slowly.
Through the stars to the heavens' height,
we hear thy hoofs on the wind of night!
As black tree branches shake and sigh,
by joy and terror we know thee nigh.
We speak the spell thy power unlocks,
At Solstice Sabbath and Equinox!"
To Know To Will To Dare and To Be Silent
The Original Wizard & Paradox
0°=0° Dominus Liminus
Epainos megalos theos Pan!
έπαινος μεγάλος θεός Πάν!
Praise Great God Pan! & Eris
